Composition

Composition Part 1: Everyone's Got One Good Book in Them

“Everyone has at least one good book in them, lad.”

That was something I would hear my grandad say quite often.

My grandad, known throughout his life as either Jock, Jack or John, was a voracious reader and autodidact who had a tremendous influence on me throughout my whole life (you can read a little more about our relationship here). I was devastated after his death, and even now, more than ten years after his passing, I still think about him every day.

Grandad and Steve.jpg

I’m often amazed by how Grandad’s influence and values still shape my life. Sure, some of his words of wisdom have dated less well than others, but, somehow, I find myself repeating them.

“Never trust a man who hasn’t polished his shoes.”

Ok, now that one, on the surface, seems a little old fashioned and doesn’t seem to reflect the modern trend for training shoes and sportswear. However, what he meant by that phrase was that any idiot could buy a nice suit (assuming they could afford it) and pop it on whenever they needed to impress, but polishing one’s shoes takes time, attention to detail and pride in the little things. When I think of it like that, suddenly it becomes relevant again. Don’t place your trust in people who don’t pay attention to the details and who don’t take pride in what they are doing.

I’m not quite so sure I’ve worked out, “Never trust a man with a tiny knot in his tie”, just yet.

“Everyone has at least one good book in them.”

Grandad said this all the time and, I think, part of his belief in this idea was rooted in his passion for reading and writing and the idea that one day he would write his own book.

Grandad was a very funny man, and he an amazing ability to infuse anything he wrote with that humour. Whenever he and Nan would go on holiday, often to his motherland of Scotland, he would send me postcards. The backs of these postcards would be crammed with his spidery writing, telling tall tales of Nan hitting Nessie with her handbag, or fairy folk getting up to all sorts of mischief.

As a young man in his 20s, just after World War II, Grandad spent four years in a TB sanitarium in Scotland, after having contracted the disease in the Royal Navy escorting convoys across the Atlantic. My dad tells me that, during that time, Grandad would write him long letters with stick figures illustrating his shaggy dog stories in the margins.

After Grandad retired, Nan used to tell us about him scurrying off to his back office, where he spent hours secretively locked away. Whenever asked about what he was doing in there, he would respond with the familiar shrug of the shoulders and characteristic, “Och!”

We all knew he was writing a book up there.

A few years before he passed away, Grandad had a serious heart attack and was never quite the same. He was just as lovely as he’d always been, and, in fact, had become more openly affectionate, but he had lost a little of the childlike vibrancy that he had had before.

One day, rather than ask him what he had been doing in the office all those years, I asked him straight out, 

“How’re the memoirs going, Grandad?”

“I burnt them.”

I couldn’t believe it. He had burned his memoirs. All those stories, all those memories, burned.

“Grandad, Why?”

“It was just a pipe dream, lad.”

Just a pipe dream. I found this devastatingly sad. At some point, this wonderful man that I admired had decided that it was just a crazy dream for someone like him to write a book.

“Everyone has at least one good book in them.”

Maybe, one day, this will be the first page in mine.

Decade Roundup 2009 to 2019 Part 4 : The Night Bride Part 2

Decade Roundup 2009 to 2019 Part 4 :  The Night Bride Part 2

The music theatre version of The Night Bride was composed for a concert in a hall fitted with a quadrophonic sound system in Vienna in 2012. The piece was to be composed for soprano and narrator, to be performed by Anikó Tóth, and cimbalom, performed by Tim Williams of Psappha. The rest of the composition would be quadrophonic electronic music created from field recordings, as well as Anikó Tóth's voice.

Writing with Light and Time - An Interview with Michael Finnissy

Writing with Light and Time - An Interview with Michael Finnissy

Back in May 2010, I did an interview with Michael Finnissy for What Next? Magazine about the piece he was working on for the Huddersfield Contemporary Music Festival.

Music for Radio: Composing the Soundtrack for BBC 4's Amazing Grace

Music for Radio: Composing the Soundtrack for BBC 4's Amazing Grace

Way back, I composed and recorded the music for a new BBC Radio 4 drama called Amazing Grace. The drama was broadcast in five parts throughout the week beginning 28th June on Woman's Hour in 2010. The drama was written by Michelle Lipton - and was directed by Justine Potter. The lead character, Grace, was played by Wunmi Mosaku and opposite her was Mrs. Bucket herself, Patricia Routledge.

For anyone unfamiliar with the story, here's a brief synopsis:

Decade Roundup 2009 to 2019 Part 1

As a composer, 2009 to 2019 has been a pretty good decade for me, and I thought it might be fun to document the most prominent events. I had a real drive in getting more overseas performances, and I began to transition from more abstract electronic compositions into more music for acoustic instruments.

Soundfackery's 2019 Round Up

Soundfackery's 2019 Round Up

I thought I'd wrap up 2019 with a quick roundup of what I've been up to with Soundfackery Productions, while I sit here sipping coffee with cream and whisky, waiting for the spirit of Hogmanay to take me.